Ever since I started making films it has bothered me in a certain sense that film images are far too concrete, because technically they try to imitate the sense of space characteristic of everyday life. So the story ignites the imagination only to be slowed down by the images and stops the viewer from taking a flight of fantasy. I have always been searching for an intrinsically different tool in filmmaking. One that could record space in its temporal progression. I would never have thought it existed!
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6.2/10
Thunderball
The Big Sleep
Lethal Weapon 4
Rush Hour 2
The Rookie
Witness
Friday the 13th: A New Beginning
Halloween III: Season of the Witch
The Return of the Tall Blond Man with One Black Shoe
Police Academy 5: Assignment Miami Beach
Violent Cop
Scarlet Street
Monsieur Verdoux
Star!
Evangelion: 3.0 You Can (Not) Redo
Brent Weinbach: Appealing to the Mainstream
Hey Qween - Holigay Special
Flow
Esterno Notte (part I)
HellholeEver since I started making films it has bothered me in a certain sense that film images are far too concrete, because technically they try to imitate the sense of space characteristic of everyday life. So the story ignites the imagination only to be slowed down by the images and stops the viewer from taking a flight of fantasy. I have always been searching for an intrinsically different tool in filmmaking. One that could record space in its temporal progression. I would never have thought it existed!
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