BETTER, STRONGER stands in contrast to the lilting pace of ROMANCE. It begins with an intense monologue by its main character, Lana (Karen Achenbach), which continues at a fairly relentless pace throughout. It is not a seductive story like ROMANCE, but an aggressive one that often jabs and pokes at the audience. Lana’s character is a high-energy, talkative actress who has returned to New York from California for a brief visit. She visits her family and cousins, who are a rowdy and obnoxious bunch, and storms from one scene to another. […] Bowes made BETTER, STRONGER as an artist-in-residence at the Television Laboratory at WNET/Thirteen. The tape is distinguished by its preoccupation with and relentless poetic use of language. […] While BETTER, STRONGER, like ROMANCE, would seem to have a direct plot line, Bowes has structured the action loosely with no central crisis or resolution. — Marita Sturken, “Television Fictions: An Interview with Ed Bowes,” AFTERIMAGE (May 1986)
0.0/10BETTER, STRONGER stands in contrast to the lilting pace of ROMANCE. It begins with an intense monologue by its main character, Lana (Karen Achenbach), which continues at a fairly relentless pace throughout. It is not a seductive story like ROMANCE, but an aggressive one that often jabs and pokes at the audience. Lana’s character is a high-energy, talkative actress who has returned to New York from California for a brief visit. She visits her family and cousins, who are a rowdy and obnoxious bunch, and storms from one scene to another. […] Bowes made BETTER, STRONGER as an artist-in-residence at the Television Laboratory at WNET/Thirteen. The tape is distinguished by its preoccupation with and relentless poetic use of language. […] While BETTER, STRONGER, like ROMANCE, would seem to have a direct plot line, Bowes has structured the action loosely with no central crisis or resolution. — Marita Sturken, “Television Fictions: An Interview with Ed Bowes,” AFTERIMAGE (May 1986)
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