Explores a subjective understanding of the artist’s homeland, Vietnam. Nguyen interrogates local, official histories and external viewpoints on Vietnam, together with the wider ideals of women and men, the role of the artist in society, and the landscape as metaphor. The 55-minute video proposes a homegrown authority that is derived from the artist’s own culture, expanding the concept of "Fourth Cinema," which was originally conceived by Māori filmmaker Barry Barclay in the 1990s. According to Barclay, “Fourth Cinema” is a cinema by, about, and for indigenous peoples defined in opposition to the framework of First (American), Second (Art House) and Third (Third World) Cinema.
0.0/10Explores a subjective understanding of the artist’s homeland, Vietnam. Nguyen interrogates local, official histories and external viewpoints on Vietnam, together with the wider ideals of women and men, the role of the artist in society, and the landscape as metaphor. The 55-minute video proposes a homegrown authority that is derived from the artist’s own culture, expanding the concept of "Fourth Cinema," which was originally conceived by Māori filmmaker Barry Barclay in the 1990s. According to Barclay, “Fourth Cinema” is a cinema by, about, and for indigenous peoples defined in opposition to the framework of First (American), Second (Art House) and Third (Third World) Cinema.
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