Forty years after the fall of Phnom Penh, Cambodian artists inherit a pluralistic history whose groping threads they unravel. Sera Ing works on the sculpture which will become the first memorial of the genocide but the project encounters difficulties to exist. How do artists reappropriate history and culture from which they have been dispossessed?
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6.2/10Forty years after the fall of Phnom Penh, Cambodian artists inherit a pluralistic history whose groping threads they unravel. Sera Ing works on the sculpture which will become the first memorial of the genocide but the project encounters difficulties to exist. How do artists reappropriate history and culture from which they have been dispossessed?
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