A dying forest flared up and the flavor of damp ruin, settled in on the tongue: Tsai Ming Liang created an entirely novel artwork with his tenth feature film 'Stray Dogs' at the Museum MoNTUE. Moving images eclipsed, in slivers and swathes, by immovable shadows of deadwood. Waking, sleep and everything in between proved indistinguishable. This documentary recreates elements of existential banality (on view) and guides focus inward. It establishes a firm, if converse, analog between cinema and consciousness: an interplay of movie (and its constituent elements of light, shadow and audience) mirrored in consciousness (and its building blocks of waking, sleep and dream) if you will.
0.0/10A dying forest flared up and the flavor of damp ruin, settled in on the tongue: Tsai Ming Liang created an entirely novel artwork with his tenth feature film 'Stray Dogs' at the Museum MoNTUE. Moving images eclipsed, in slivers and swathes, by immovable shadows of deadwood. Waking, sleep and everything in between proved indistinguishable. This documentary recreates elements of existential banality (on view) and guides focus inward. It establishes a firm, if converse, analog between cinema and consciousness: an interplay of movie (and its constituent elements of light, shadow and audience) mirrored in consciousness (and its building blocks of waking, sleep and dream) if you will.
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