An intertextual essay clashing gay porn, Mexican pop songs; imperialist fiction (Zoltan Korda’s 1942 Technicolor epic The Jungle Book), and Toronto landscapes. While a TV journalist examines the contradictory homoeroticism and imperialism of a Rudyard Kipling film adaptation, her husband undergoes his own coming-out narrative and confronts the politics and fantasy of washroom sex.
An intertextual essay clashing gay porn, Mexican pop songs; imperialist fiction (Zoltan Korda’s 1942 Technicolor epic The Jungle Book), and Toronto landscapes. While a TV journalist examines the contradictory homoeroticism and imperialism of a Rudyard Kipling film adaptation, her husband undergoes his own coming-out narrative and confronts the politics and fantasy of washroom sex.
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