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In this work, no matter which scene or cut you look at, basically a different amount of time will pass than it did during the shooting. This is true not only inside the screen of individual cuts, but also in the direction of the entire time axis. The time that flows here is a cinematic time that was newly created using the time that flowed when Mr. Kazufumi Kobayashi created a stag pattern out of paper. If we say that time is a function of motion and space, then this can be rephrased as cinematic motion and cinematic space generated by the film.
0.0/10In this work, no matter which scene or cut you look at, basically a different amount of time will pass than it did during the shooting. This is true not only inside the screen of individual cuts, but also in the direction of the entire time axis. The time that flows here is a cinematic time that was newly created using the time that flowed when Mr. Kazufumi Kobayashi created a stag pattern out of paper. If we say that time is a function of motion and space, then this can be rephrased as cinematic motion and cinematic space generated by the film.
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