César Menéndez confesses that he has lived and, at the same time, is a man condemned to paint. Through a brief tour we enter the interior of his work and his world, loaded with a great religious and sacrilegious metaphor, in the tradition of Luis Buñuel or Federico Fellini.
0.0/10César Menéndez confesses that he has lived and, at the same time, is a man condemned to paint. Through a brief tour we enter the interior of his work and his world, loaded with a great religious and sacrilegious metaphor, in the tradition of Luis Buñuel or Federico Fellini.
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