“Conceived as a homage and an answer to Len Lye’s hand-processed FREE RADICALS. Lye’s film consists of direct, non-photographic markings on the emulsion, accompanied by a soundtrack of African percussion (surely exotic for the time). Lye’s choice, after a long career in both commercial and experimental cinema, to turn to such bare and primitive material (“aboriginal” was his chosen term) fits with my own obsession with sticking as closely as possible to the primary elements of the film in order to invoke the underlying and real power of cinema.” —Fred Worden
0.0/10“Conceived as a homage and an answer to Len Lye’s hand-processed FREE RADICALS. Lye’s film consists of direct, non-photographic markings on the emulsion, accompanied by a soundtrack of African percussion (surely exotic for the time). Lye’s choice, after a long career in both commercial and experimental cinema, to turn to such bare and primitive material (“aboriginal” was his chosen term) fits with my own obsession with sticking as closely as possible to the primary elements of the film in order to invoke the underlying and real power of cinema.” —Fred Worden
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