Here meet personal memory, working knowledge, research interests and anecdotes together to vivid memory about the most important German dramatist of the 20th century. When the director Peter Voigt, former assistant director of Brecht at the Berliner Ensemble in 2004, finds a wallet with pictures and captions from the American exile, he pursued this track and discovered that Brecht has always worked with photography and film. Peter Voigt puts together an exciting collage of this film and photo material. A conversation with Erdmut Wizisla, the head of Bertolt Brecht Archives, moderated by Harald Müller, forms the dramatic bond of the film.
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Painting for the main bedroomHere meet personal memory, working knowledge, research interests and anecdotes together to vivid memory about the most important German dramatist of the 20th century. When the director Peter Voigt, former assistant director of Brecht at the Berliner Ensemble in 2004, finds a wallet with pictures and captions from the American exile, he pursued this track and discovered that Brecht has always worked with photography and film. Peter Voigt puts together an exciting collage of this film and photo material. A conversation with Erdmut Wizisla, the head of Bertolt Brecht Archives, moderated by Harald Müller, forms the dramatic bond of the film.
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