Phrases of Stephen Foster, set to music by Joel Heartling, are set to film in this autobiographical piece: a solitary female voice, occasionally joined by a chorus, sings phrases of sorrow as we watch a solitary man in shadows in an unadorned house: he stretches out, he picks his feet, he walks across a room, he rocks in a chair. Occasionally he watches two young children at play; the film sometimes speeds up. Handwritten words, like "dark void" and "waiting longing," cross the screen. Film and phrases often come in short bursts. Outdoor it looks gray and cold.
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The 400 Blows
Fargo
Wild at Heart
Good Will Hunting
Psycho
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
The Perks of Being a Wallflower
Mirror of Holland
Wonder Woman
A Star Is Born
Loving Vincent
Your Name.
Two Is a Family
The Shape of Water
The Batman
Joker
Midsommar
Knives Out
The Invisible Man
Alien: RomulusPhrases of Stephen Foster, set to music by Joel Heartling, are set to film in this autobiographical piece: a solitary female voice, occasionally joined by a chorus, sings phrases of sorrow as we watch a solitary man in shadows in an unadorned house: he stretches out, he picks his feet, he walks across a room, he rocks in a chair. Occasionally he watches two young children at play; the film sometimes speeds up. Handwritten words, like "dark void" and "waiting longing," cross the screen. Film and phrases often come in short bursts. Outdoor it looks gray and cold.
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