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An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.
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Fuck
Naqoyqatsi
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The Godfather Family: A Look Inside
Dangerous Days: Making Blade Runner
Directed by John Ford
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
Seduced and Abandoned
The Class of ‘92
Champs
Night Will Fall
Listen to Me Marlon
Ex Libris: The New York Public Library
McQueenAn exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.
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