Downey examines meanings and interpretations of signs, symbols and systems of representation in Western cultural history in the third part of The Thinking Eye series. Employing linguistic and semiotic analyses as interpretative systems, Downey weaves literary, musical, art historical and personal references in his study of cultural icons and symbols. Using video effects and nonlinear narrative modes, Downey creates an associative "hall of mirrors" of meanings and representations that echoes the elusiveness of his subject. Shifters takes its title from the theories of Jacques Lacan — "[a shifter] designates the subject of an enunciation, but it does not signify it." In this fascinating essay, Downey plays with the subjectivity of what Leo Steinberg terms the "meaningfully ambiguous" gestures and signs of art and culture.
0.0/10Downey examines meanings and interpretations of signs, symbols and systems of representation in Western cultural history in the third part of The Thinking Eye series. Employing linguistic and semiotic analyses as interpretative systems, Downey weaves literary, musical, art historical and personal references in his study of cultural icons and symbols. Using video effects and nonlinear narrative modes, Downey creates an associative "hall of mirrors" of meanings and representations that echoes the elusiveness of his subject. Shifters takes its title from the theories of Jacques Lacan — "[a shifter] designates the subject of an enunciation, but it does not signify it." In this fascinating essay, Downey plays with the subjectivity of what Leo Steinberg terms the "meaningfully ambiguous" gestures and signs of art and culture.
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