A cinema shot. The relationship that a shoot-out has with the image becomes somewhat different; the celluloid no longer supports, at 24 frames per second, the representation of a shooting, either acted or documented, but the celluloid has now become the direct carrier, the affected, in the shot in each frame.
0.0/10A cinema shot. The relationship that a shoot-out has with the image becomes somewhat different; the celluloid no longer supports, at 24 frames per second, the representation of a shooting, either acted or documented, but the celluloid has now become the direct carrier, the affected, in the shot in each frame.
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