In 1983, filmmaker and poet Abigail Child cut up old footage from Between Times, a documentary profile of high school girls in Minneapolis which she had produced for WNET/PBS back in 1975. That footage would then be integrated into work of a drastically different kind: The film was called Mutiny which, by its very name, signaled her abandonment of the humanist documentary tradition to which Between Times belonged, to become, in her words, “a prismatic rhythmic pinwheel” born of the artistic and political necessity to radically rethink form. Mutiny, in turn, stood as one of the most densely woven in a series of bold experiments that came to be known as Is This What You Were Born For?
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6.4/10
Absolut
Thunder at the Border
Eating Out 2: Sloppy Seconds
Main Aurr Mrs Khanna
The Shop on Main Street
Saw 3D
BraveStarr: The Legend
Maine Gandhi Ko Nahin Mara
Divers at Work on the Wreck of the "Maine"
Lion, London Zoological Gardens
Disney Presents: Main Street Electrical Parade - Farewell Season
East of Main Street: Asians Aloud
Mower Minions
1-2-3
Gasping for Air
Neuilly sa mère, sa mère !
Redemption
Six Weeks to Twelve Years
FILM
Painting for the main bedroomIn 1983, filmmaker and poet Abigail Child cut up old footage from Between Times, a documentary profile of high school girls in Minneapolis which she had produced for WNET/PBS back in 1975. That footage would then be integrated into work of a drastically different kind: The film was called Mutiny which, by its very name, signaled her abandonment of the humanist documentary tradition to which Between Times belonged, to become, in her words, “a prismatic rhythmic pinwheel” born of the artistic and political necessity to radically rethink form. Mutiny, in turn, stood as one of the most densely woven in a series of bold experiments that came to be known as Is This What You Were Born For?
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