Saodat Ismailova looks back at the history of female heroines over nearly a century of Uzbek cinema in order to chart the changing perception of women and the state of the film industry more widely. Commissioned as part of Asian Film Archive’s Monographs, a series of essays on Asian cinema.
Saodat Ismailova looks back at the history of female heroines over nearly a century of Uzbek cinema in order to chart the changing perception of women and the state of the film industry more widely. Commissioned as part of Asian Film Archive’s Monographs, a series of essays on Asian cinema.
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