Mikio Naruse (August 20, 1905 – July 2, 1969) was a Japanese filmmaker, screenwriter, and producer who directed some 89 films spanning the period 1930 (towards the end of the silent period in Japan) to 1967. Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki (working-class drama) films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films are frequently compared with the works of Yasujirō Ozu. His reputation is just behind Akira Kurosawa, Kenji Mizoguchi, and Ozu in Japan and internationally; his work remains less well known outside Japan than theirs. Akira Kurosawa called Naruse's style of melodrama, "like a great river with a calm surface and a raging current in its depths". Description above from the Wikipedia article Mikio Naruse, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A Flor do Crepúsculo
The Thin Line
Two in the Shadow
Quando a Mulher Sobe a Escada
Moment of Terror
Mother
O Som da Montanha
Correnteza
Okuni and Gohei
Repast
Hard Times
Nuvens Flutuantes
Daughters, Wives and a Mother
The Song Lantern
Three Sisters with Maiden Hearts
The Angry Street
Wife! Be Like a Rose!
White Beast
Spring Awakens
A Wife's Heart
