In the midst of a personal and professional crisis, I begin to film everything obsessively: my parents, grandparents, children, friends, lovers, myself and psychotherapy. Some of the footage is consensual, some is "stolen" and some is footage taken over a lifetime, seemingly with no other purpose than to look at me: who am I? By putting all this material together, the personal-intimate becomes narrative: my recent break-up, my parents' break-up, my inadequacy as a mother. The result is a kind of intimate diary that, in becoming public, is perhaps obscene. But where are the boundaries between what should remain private and what can be shared? Even more so today?
0.0/10In the midst of a personal and professional crisis, I begin to film everything obsessively: my parents, grandparents, children, friends, lovers, myself and psychotherapy. Some of the footage is consensual, some is "stolen" and some is footage taken over a lifetime, seemingly with no other purpose than to look at me: who am I? By putting all this material together, the personal-intimate becomes narrative: my recent break-up, my parents' break-up, my inadequacy as a mother. The result is a kind of intimate diary that, in becoming public, is perhaps obscene. But where are the boundaries between what should remain private and what can be shared? Even more so today?
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