Honik's first film in nearly forty years explores the myriad possibilities of digital video by creating an analogy with the four natural elements. The fifth element projects human essence as waste, with a dumping ground serving as metaphor for a medium capable of endless production of images.
Honik's first film in nearly forty years explores the myriad possibilities of digital video by creating an analogy with the four natural elements. The fifth element projects human essence as waste, with a dumping ground serving as metaphor for a medium capable of endless production of images.
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