The axis of the film is the construction of memory: where, finally, are the memories lodged? From that interrogation, the director and protagonist assembles and disassembles a story where his children and his father appear to confirm that his memory is also the memory of a descendant that does not forget the past. (Marcela Gamberini)
0.0/10The axis of the film is the construction of memory: where, finally, are the memories lodged? From that interrogation, the director and protagonist assembles and disassembles a story where his children and his father appear to confirm that his memory is also the memory of a descendant that does not forget the past. (Marcela Gamberini)
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