"When I began to write and shoot my film Eponine in 1975, I wanted to consciously ‘test’ this and other concepts of analysis with a film; the character of a mother without a face; the suggestion through sound of an outside world that one never sees (since the film takes place within the walls of a house from which one does not go out); the creation of an imaginary topography. The success of this film showed me that the concepts ‘worked’. Thus, for me, theory is not a dead demonstration. A living theory must be drawn from a personal experience." - Michel Chion
0.0/10"When I began to write and shoot my film Eponine in 1975, I wanted to consciously ‘test’ this and other concepts of analysis with a film; the character of a mother without a face; the suggestion through sound of an outside world that one never sees (since the film takes place within the walls of a house from which one does not go out); the creation of an imaginary topography. The success of this film showed me that the concepts ‘worked’. Thus, for me, theory is not a dead demonstration. A living theory must be drawn from a personal experience." - Michel Chion
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