"...Chrysalides use[s] the movie camera as a still camera, flickering between different stills of natural forms, proving once again that movement is not created in the film but in the brain.” (Pip Chodorov, 2002)
"...Chrysalides use[s] the movie camera as a still camera, flickering between different stills of natural forms, proving once again that movement is not created in the film but in the brain.” (Pip Chodorov, 2002)
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