In the film Acropolis (2001/2004), she puts forth a subversive, feminist view of the famous monument. She follows a procedure that is the reverse of observation, putting together existing Super 8 footage with porn and archival material, and by identifying the Parthenon with the female body, she negotiates anew our received notions about Greekness and femininity.
0.0/10In the film Acropolis (2001/2004), she puts forth a subversive, feminist view of the famous monument. She follows a procedure that is the reverse of observation, putting together existing Super 8 footage with porn and archival material, and by identifying the Parthenon with the female body, she negotiates anew our received notions about Greekness and femininity.
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