In a room, François Miron piles boxes against a wall film screen. The images projected on it quickly rush together:automobile accidents, Tuscan landscapes, an injured man, medical experiments intercut with smoking factories, a sleeping face. Miron moves the boxes about constantly, as if feeding a burning fire.
In a room, François Miron piles boxes against a wall film screen. The images projected on it quickly rush together:automobile accidents, Tuscan landscapes, an injured man, medical experiments intercut with smoking factories, a sleeping face. Miron moves the boxes about constantly, as if feeding a burning fire.
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