“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
0.0/10
7.7/10
A Walk to Beautiful
Lupin III: Operação - Devolva o Tesouro
Try to Remember
Return of the Outlaws
Return of the Killer Shrews
O Retorno de Arizona Colt
The Return
Return to Innocence
SlugTerra: Return of the Elementals
Maari
An Evening with Danny Kaye and the New York Philharmonic
Leyla’s Prayer
Transformers: Titans Return
FILMReturn
Sendero
Bully Busters
Return of the Demojordan
Happy Birthday!“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
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