Made in 1968 at the invitation of the ICA (Institute of Contemporary Arts), B.S. Johnson's animated take on Apollinaire's 'Calligrammes' (1918) - precursors of 'concrete' or 'visual' poetry - is both a cheeky two-fingered salute to French Modernism, and an irreverent homage to surrealism.
Made in 1968 at the invitation of the ICA (Institute of Contemporary Arts), B.S. Johnson's animated take on Apollinaire's 'Calligrammes' (1918) - precursors of 'concrete' or 'visual' poetry - is both a cheeky two-fingered salute to French Modernism, and an irreverent homage to surrealism.
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