[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
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5.7/10
O Retorno do Rei
A Trilha da Pantera Cor-de-Rosa
A Volta da Pantera Cor-de-Rosa
A Volta dos Sete Homens
A Volta dos Mortos Vivos 2
Regresso a Halloweentown
O Monstro de Mil Olhos
O Tira do Futuro II
Retorno à Câmara 36
Return to Rajapur
Lupin III: Operação - Devolva o Tesouro
A Nightmare
Boat Leaving the Port
1920: Evil Returns
Bains en mer
Jérusalem : porte de Jaffa, côté Est
In Single File on Glaciers With Snowshoes, l. Montée
Retorno ao Hotel Terror
Não Volte Para Casa!
As Aventuras de Gulliver[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
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