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Non-US directors speak about the idiosyncrasies of filmmaking in their respective countries. Because of the difficulty of financing, very few American film directors establish a body of work. For American women directors, the problem is two-fold. But in Europe, Canada, and some countries of South America, filmmaking is often government subsidized, making it possible for filmmakers to become prolific in their craft.
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Naqoyqatsi: A Vida Em Guerra
Burma VJ: Reporting from a Closed Country
The Cutting Edge: The Magic of Movie Editing
Directed by John Ford
Harry Dean Stanton: Em Parte Ficção
Ao Caminhar Entrevi Lampejos de Beleza
The Crash Reel
Girl Rising
Seduzido e Abandonado
A Noite Cairá
O Caso do Policial Canibal
Coração de Cachorro
Jim: The James Foley Story
Cameraperson
Ex LibrisNon-US directors speak about the idiosyncrasies of filmmaking in their respective countries. Because of the difficulty of financing, very few American film directors establish a body of work. For American women directors, the problem is two-fold. But in Europe, Canada, and some countries of South America, filmmaking is often government subsidized, making it possible for filmmakers to become prolific in their craft.
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